Gauzy, disposable, Christina Aguilera-assisted freedom. Their easy everyman charm got lost in sleek pop productions, and despite the Rihanna collaborations and somehow thinking they had enough “undiscovered classics” to make an album of B-sides in 2007 (and a remix album the year after), Maroon 5 were beginning to lose their way, which the band blatantly acknowledged in interviews about the lack of sales for Hands All Over (that album’s second single, “Give a Little More”, toppped out at a downright embarrassing No.
The band released two more albums - the long-delayed (and horridly-titled) 2007 effort It Won’t Be Soon Before Long and the limp 2010 disc Hands All Over - but it was obvious that despite scoring their first chart-topper with “Makes Me Wonder”, there was something missing with the group. Despite all the frustrations the group felt from the start, success was proving to be remarkably easy.
#Maroon 5 overexposed payphone series#
Once they were in the pop consciousness, they pretty much never left, as what followed was a non-stop series of charming yet inoffensive pop staples: “This Love”, “She Will Be Loved”, the surprisingly soulful “Sunday Morning”, etc. Upset and angered, the group turned in “ Harder to Breathe“, the hardest-rocking song the band has ever done (to date), and lo’ and behold, it was not only their first single, but also their first Top 40 hit. However, that’s exactly what happened in 2002 when the young, Adam Levine-fronted band known as Maroon 5 turned in their first post-Kara’s Flowers album, Songs About Jane, to their label, who insisted that they didn’t hear a single in the batch. It’s truly amazing to think that there was a time when Maroon 5 were not considered pop enough.
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